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Encyclopedia Britannica



TYPEWRITER

This article appears in Volume V27, Page 503 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: TUM-VAN
TYPEWRITER , a writing machine which produces characters resembling those of ordinary letterpress; the term is also applied to the operator who works such machines.
In 1714 a British patent was granted to Henry Mill, who claimed that he had brought his invention to perfection at great pains and expense, for " An Artificial Machine or Method for the Impressing or Transcribing Letters, Singly or Progressively one after another as in Writing, whereby all Writing whatever may be Engrossed in Paper or Parchment so Neat and Exact as not to be distinguished from Print "; but beyond the title the patent gives no indication of the nature or construction of the machine. In America a patent for a " typographer " was obtained by William A. Burt in 1829, but the records of it were destroyed by a fire at Washington in 1836. The " typo-graphic machine or pen " patented by X. Progrin, of Marseilles, in 1833, was on the type-bar principle, and at the
York
  meeting of the British Association in 1844 a Mr Littledale showed an apparatus for the use of the blind, by which the impression of a type selected from a series contained in a slide could be embossed on a sheet of paper. In the " chirographer," for which American patents were granted to Charles Thurber in 1843 and 1845, a
horizontal
  wheel carried in its periphery a series of rods each bearing a letter, the wheel being rotated till
the required type was over the printing point. The Great
Exhibition of 1851 contained a machine patented by Pierre
Foucault, of Paris, in 1849, in which a series of rods with type at their ends could be pushed down to emboss paper at the printing point to which they were arranged radially; and there was in addition the " typograph " of William Hughes, which was also intended for embossing, though it was subsequently modified to give an impression through carbon paper. Between 1847 and 1856 Alfred E. Beach in America, and between 1855 and 186o Sir Charles Wheatstone in England, constructed several typewriters, and in 1857 Dr S. W. Francis, of New
York
 , made one with a pianoforte keyboard and type bars arranged in a circle. In 1866 John
Pratt
 , an American living in London, patented a machine having 36 types mounted in three rows on a type wheel, the rotation of which brought the required character opposite the printing point, when the paper with a carbon sheet intervening was pressed against it by a
hammer
  worked by the keys. Two years later an American patent was taken out by C. L. Sholes and C. Glidden, and in 1875, after effecting various improvements, they finally placed the manufacture of their machines in the hands of Messrs E. Remington & Sons, gun-makers, of Ilion, New York. The Remington machines worked on the type-bar principle, but at first each of the 44 bars carried only a single character, so that the writing was in capitals only. But in 1878 type-bars with two types were introduced, so that a machine with 40 keys, two being change-case keys, could print 76 characters, with both
capital
  and small letters.
The great majority of modern typewriters are worked from a keyboard; the few that are not, known as index machines, will be disregarded here, for although they are much less expensive in first cost than the others, they scarcely come into competition as practical instruments, on account of their slowness. Key-board machines fall into two classes, according as the types which make the impressions are (a) carried at the end of levers or type-bars which strike the paper when the keys are depressed, or (b) are arranged round the circumference of a wheel, or segment, which is rotated by the action of the keys until the corresponding type is brought opposite the printing point. The former of these arrangements is the more common. Another point of difference is in the inking device; in some cases, the type is inked by means of an ink-pad before being brought down on the paper to make the impression, but more frequently an inked ribbon is
drawn
  along by the action of the machine between the type-face and the paper. Sometimes this ribbon is inked in two colours, enabling the operator, by bringing the appropriate portion opposite the type-face, to write, say, in black and red at will. A third basis of classification may be found in the arrangement of the keyboard. In some machines there is one key for each character, in others each key does duty
502
for two or more characters. For example, in the former class there is one key for the
capital
  A and another for the small a, the keys being arranged in two banks corresponding to the upper and lower cases of a printer's type-case; in the latter, one key is capable of striking both the small and the capital letter, and it does one or other according as a subsidiary key is or is not brought into simultaneous use with it. In type-bar machines designed on this plan, each bar carries two or more letters (cf. fig. 1). This form of keyboard is also applied to type-wheel machines.
Though there are numberless differences in detail, all type-
writers, apart from the index machines,
bear
  a general resem-
blance to each other in their me-
chanical arrangements. The really
essential operations may be reduced
to two; the machine must print a
letter when a key is struck, and it
must have a device by which the
paper may be moved a short
distance to the left with each
stroke in order that the letters may
be printed separately, not one on
top of the other. Of the many
subsidiary appliances that are fitted
a bell to warn the operator that
he is approaching the end of a line,
a lock to prevent the machine
from working after the end of the
line has been passed, attachments
for facilitating insertion of fresh
paper, corrections, and tabulation,
&c.some are certainly of advan-
tage, but others are more useful
to the manufacturer in drawing
up his advertisements than to the
expert operator, whose first care
often is to disconnect them from
" visible writing," which is some-
times put forward as a recommendation of extraordinary
importance; doubtless the novice who is learning the keyboard
finds a natural satisfaction in being able to see at a glance that
he has struck the key he was
aiming at, but to the practised
operator it is not a matter of
great moment whether the writing
is always in view or whether it is
only to be seen by moving the
carriage, for he should as little
need to test the accuracy of his
performance by constant inspec-
tion as the piano-player needs to
look at the notes to discover
whether he has struck the right
ones. The one important desid-
eratum, without which no type-
writer can produce work of
satisfactory appearance, is ac-
curacy of alignment. For the
attainment of this the use of
type-bars has given wide scope
to the ingenuity of inventors,
who have been confronted with
the problem of making a system
of levers at once strong, rigid
Machine. them on bearings which are steady and adjustable for wear in conditions where space is much restricted.
In the Oliver machine the type-bar is of the form shown in fig. r, to secure stiffness and a double bearing. In the Bar-Lock, the type-bars are arranged three in one hanger, so that each has a bearingthree times as wide as would be possible in the same space if each had a hanger to itself (fig. 2) ; in addition the wear of the pivots can be taken up by the screws seen on the
right of the bearings, and as a further P precaution each type-bar is locked at the printing point by falling between a pair of conical pins, which centre it exactly in the required place. In the Yost and the Empire the type-bars pass through guides. The centre guide of the former is shown at G in fig. 3, the type being just about to strike the paper. Pressure on one of the
keys works the lever and pushes up the FIG. 3 Central connecting-rod C, when the type leaves Guide and Type-bar of the ink-pad P and passes through the Yost Machine.
guide, which is slightly bevelled so as to guide it exactly to the printing point. In the Smith Premier the shafts upon which the type-
bars swing are mounted tangentially on the ring (fig. 4), so that long supporting bearings are obtained, while the shortness of the type-bars themselves renders it possible to make them very stiff. The rocking-shaft mechan-
ism a (fig. 5), by which the
power is transmitted from the keys to the type-bars, admits of each key having the same leverage and tends to uniformity of
touch
 . This last quality is also aimed at by inter-posing an intermediate parallel bar between the key levers and the type-bar, as in the New Century Caligraph. In the Dens-more the friction of the movements is minimized by the employment of ball bearings for the type-bar pivots. Electrical type-writers, in which the depression of a key does not 1 work a type-bar directly, but merely closes a circuit that energizes an electro-
magnet, have been sug- FIG, 5.-Rocking-shaft Mechanism of gested as a means of Smith Premier.
obtaining uniformity of I, Key with stem. 2, Rocking shaft.
touch
  combined with ease
3, Connectingrod. 4. TYPe;bar, and rapidity, but have
not as yet displaced the A and B, Conical bearings, If, in. apart. ordinary machines to any extent.
One special form of typewriter, the Elliott-Fisher, is designed to write in a book such as a ledger. One leaf is clamped between the platen and an open frame which holds the paper smoothly. The operative parts slide on this frame, and move up and down the page so as to space the lines properly, the keyboard, with the type-bars, ribbon, &c., travelling step by step across the page. An adding device may be combined with this machine.
Machine.


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