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STORACE, STEPHEN (1763-1796) , English musical composer, was born in London in 1763. His father, Stefano Storace, an Italian contrabassist, taught him the violin so well that at ten years old he played successfully the most difficult music of the day. After completing his education at the Conservatorio di Sant' Onofrio, at Naples, he produced his first opera, Gli Sposi malcontenti, at Vienna, in 1785. Here he made the acquaintance of Mozart, in whose Nozze di Figaro his sister , Anna Selina Storace, first sang the part of Susanna. Here also he produced a second opera, Gli Equivoci, founded on Shakespeare's Comedy of Errors, and a " Singspiel " entitled Der Doctor and der Apotheleer. But his greatest triumphs were achieved in England, whither he returned in 1787. After creating a favourable impression by bringing out his " Singspiel " at Drury Lane , under the title of The Doctor and the Apothecary, Storace attained his first great success in 1789, in The Haunted Tower, an opera which ran for fifty nights in succession. No Song, No Supper was equally successful in x790; and The Siege of Belgrade scarcely less so in 1791. The music of The Pirates, produced in 1792, was partly adapted from Gli Equivoci, and is remarkable as affording one of the earliest instances of the introduction of a grand finale into an English opera. These works were followed by some less successful productions; but The Cherokee (1794) and The Three and the Deuce (1795) were very favourably received, and the music to Colman's play, The Iron Chest, first performed on the 12th of March 1796, created even a greater sensation than The Haunted Tower. This was Storace's last work . He caught cold at the rehearsal See Also: - REHEARSAL (from " rehearse," to say over again, repeat, recount, O.Fr. rehercer, from re, again, and hercer, to harrow, cf. " hearse," the original meaning being to rake or go over the same ground again as with a harrow)
, and died on the 19th of March 1796.
The character of Storace's music is pre-eminently English; but his early intercourse with Mozart gave him an immense advantage over his contemporaries in his management of the orchestra, while for the excellence of his writing for the voice he was *no doubt indebted to the vocalization of his sister Anna. This lady was born in London in 1766, completed her education at Venice under Sacchini, sang for Mozart at Vienna, and first appeared at the King's Theatre in London in 1787. After contributing greatly to the success of The Haunted Tower and her brother's later operas, she crowned a long and brilliant career by winning great laurels at the Handel Commemoration at Westminster Abbey in 1791, retired from public life in 18o8, and died on the 24th of August 1817. During her stay in Vienna she married John Abraham Fisher, a celebrated violinist; but he used her so cruelly that she refused to bear his name, and in her willbequeathing property to the amount of 50,000styled herself " spinster."
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