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Encyclopedia Britannica - Main :: SAC-SAR |
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SAINTS, BATTLE OF THE . This battle is frequently called by the date on which it took placethe 12th of April 1782. The French know it as the battle of Dominica, near the coast of which it was fought. The Saints are small rocky islets in the channel between the islands of Dominica and Guadaloupe in the West Indies. The battle is of exceptional importance in naval history; it was by far the most considerable fought at sea in the American War of Independence, and was to Great Britain of the nature of a deliverance, since it not only saved Jamaica from a formidable attack, but after the disasters in North America went far to restore British prestige. The comte de Grasse,with 33 sail of the line, was at Fort Royal in Martinique. His aim was to effect a combination with a Spanish force from Cuba, and invade Jamaica. A British fleet
fleet
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British van. The comte de Grasse recalled all his vessels, and bore down towards the British. Rodney ordered the last of his ships to lead into action, the others following her in succession, and the detached ships falling in behind as they returned from the pursuit. The two fleets in line of battle passed one another, the French steering in a southerly, the British in a northerly direction. Both were going very slowly. Fire was opened about 8 o'clock, and by ro o'clock the leading British ship had passed the last of the French. While the action was in progress, one of the variable winds of the coast began to blow from the south, while the northern extremities of the fleets were in an easterly breeze. Confusion was produced in both forces, and a great gap was created in the French line just ahead of the " Formidable" (roo), Rodney's flagship. The captain of the fleet, Sir Charles Douglas, called his attention to the opening, and urged him to steer through it. The fighting instructions then in force made it incumbent on an admiral to preserve the order in which he began the action unchanged. Rodney hesitated to depart from the traditional order, but after a few moments of doubt accepted the suggestion. The " Formidable" was steered through the opening, followed by six of those immediately behind her. The ships towards the rear passed through the disordered French in the smoke, which was very thick, without knowing what they had done till they were beyond the enemy. About r o'clock the British had all either gone beyond the French or were to the east of them. The French were broken into three bodies, and were completely disordered. The comte de Grasse, in his flagship the " Ville de Paris," with five other vessels, was isolated from his van and rear. Rodney directed his attack on these six vessels, which were taken after a very gallant resistance. It was the general belief of the fleet that many more would have been captured if Rodney had pursued more vigorously, but he was content with the prizes he had taken. Two more of the French were captured by Sir Samuel Hood, afterwards Lord Hood, in the Mona Passage on the 19th of April. See Beatson, Naval and Military Memoirs (London, 1804), vol. 5 ; and a careful analysis from the French side by Chevalier, Histoire de la marine francaise pendant la guerre de t'independance americaine (Paris, 1877). (D. H.) SAINT-SAENS, 'CHARLES CAMILLE (1835- ), French composer, was born in Paris on the 3rd of October 1835. After having as a child taken lessons on the piano, and learned the elements of composition, he entered the Paris Conservatoire in the organ class, then presided over by Eugene
triumph
Though he had acquired a great name as a pianist, and had made successful concert tours through Europe, he had not succeeded in reaching the ears of the larger public by the production of an opera, which in France counts for more than anything else. After the tragic events of 1870, when Saint-Satins did his duty as a patriot by serving in the National Guard, the opportunity at last offered itself, and a one-act opera from his pen, La Princesse jaune, with words by Louis Gallet, was produced at the Opera Comique with moderate success on the 12th of June 1872. Le Timbre d'argent, a four-act opera performed at the Theatre Lyrique in 1877, was scarcely more successful. In the meanwhile his " symphonic poems" " Le Rouet d'Omphale," " Danse Macabre," " Phaeton " and " La Jeunesse d'Hercule "obtained for him a world-wide celebrity. These admirable examples of " programme music " count among his best known works. At last, through the influence of Liszt, his Biblical opera Samson et Dalila was brought out at Weimar
work
Weimar
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After the production of Samson et Dalila Saint-Satins stood at the parting of the wayslooked at askance by the reactionary section of the French musicians, and suspected of harbouring subversive Wagnerian ideas, but ready to be welcomed by the progressive party. Both sides were doomed to disappointment, for in his subsequent operas Saint-Satins attempted to effect a compromise between the older and the newer forms of opera. He had already entertained the idea of utilizing the history of France for operatic purposes. The first and only result of this project has been Etienne Marcel, an opera produced at Lyons in 1879. Although of unequal merit, owing partly to its want of unity of style, this work contains much music of an attractive kind, and scarcely deserves the neglect into which it has fallen. Forsaking the history of France he now composed his opera Henry VIII., produced at the Paris Grand Opera in 1883. The librettists had concocted a piece that was sufficiently well knit and abounded in dramatic contrasts. While adhering to his system of compromise by retaining certain conventional operatic features, Saint-Satins had in this instance advanced somewhat by employing leit motivs in a more rigorous fashion than hitherto, although he had not gone so far as to discard airs cut after the old pattern, duets and quartets. Henry VIII., which was given at Covent Garden in 1898, occupies an honourable place among the composer's works. Fraser pine, a lyrical drama produced at the Paris Opera Comique in 1887, achieved a succes d'estime and no more. A not much better fate befell Ascanio, an opera founded on Paul Meurice
Saint-Saens worked successfully in every field of his art. Besides the operas above alluded to, he composed the following oratorios and cantatas: " Oratorio de Noel," " Les Noces de Promethee,'" Psalm " Coeli enarrant," " Le Deluge," " La Lyre et la harpe "; three symphonies; four symphonic poems (" Le Rouet d'Omphale," " Phaeton," " Danse Macabre," ' La Jeunesse d' Hercule ") ; five pianoforte concertos; three violin concertos; two suites, marches, and other works for orchestra; the ballet Zavotte; music to the drama Dejanire, given at the open-air theatre of Beziers; a quintet for piano and strings, a quartet for piano and strings, two tnos for piano and strings, a string
Doctor
Cambridge University in 1893.End of Article: SAINTS, BATTLE OF THE If you wish, you can link directly to this article.
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