RELIEF

This article appears in Volume V23, Page 61 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: RAY-RHU

RELIEF , a

term

TERM

in sculpture signifying ornament, a figure or figures raised from the ground of a flat surface of which the sculptured portion forms an inherent part of the

body

BODY

of the whole. The

design

DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

may be in high relief" alto-relievo" (q.v.), or low relief " bas-relief" or "basso-relievo" (q.v.); in the former case the

design

DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

is almost wholly detached from the ground, the attachment, through " under-cutting," remaining only here and there; in the latter it is wholly attached and may scarcely rise above the surface (as in the modern

medal

MEDAL (Fr. medaille, from Lat. metallum)

), or it may exceed in projection to about a half the proportionate depth (or thickness) of the figure or object represented. Formerly three terms were commonly employed to express the degree of relief altorelievo, basso-relievo and mezzo-relievo (or half-relief) ; but thetwo last-named have been merged by modern custom into " low-relief," to the disadvantage of accurate description. The

term

TERM

relief belongs tc modern sculpi use. I o low relief .13 under-stood by us Pliny applied the word anatlypta, but it is to be observed that embossing and chasing came within the same category. It may be considered that less sculptural skill (independently of manipulative skill) is needed in high relief than in low relief, because in the former the true relative pro-portions in the life (whether figure or other object) have to be rendered, while in the latter, although the true height and, in a measure, breadth can be given, the thickness of the object is reduced by at least one-half, sometimes to almost nothing; and yet in spite of this departure from actuality, this abandonment of fact for a pure convention, a true effect must still he produced, not only in respect to perspective, but also of the actual shadows cast. And insomuch as the compositions are often extremely complicated and have sometimes to suggest retreating planes, the true plane of the material affords little

scope

SCOPE (through Ital. scopo, aim, purpose, intent, from Gr. o'KOaos, mark to shoot at, aim, o ic07reiv, to see, whence the termination in telescope, microscope, &c.)

for reproducing the required effect. In the beginning the essential idea of the relief was always maintained: that is to say, the sense of the flatness of the slab from which it was cut was impressed throughout the design on the mind of the spectator. Thus the Egyptians merely sunk the outlines and scarcely more than suggested the modelling of the figures, which never projected beyond the face of the surrounding ground. The Persians, the Etruscans and the Greeks carried on the art to the highest perfection, alike in sculpture and architectural ornament, and they applied it to gem sculpture, as in the case of " cameo." Similarly, the inverse treatment of reliefthat is, sunk below the surface, in order that when .tsed for seals a true relief is obtainedwas early brought to

great

GREAT

completeness; this form of engraving is called " intaglio." The degree of projection in relief, broadly speaking, has varied greatly with the periods of art. Thus, in Byzantine and Romanesque art the relief was low. In

Gothic

GOTHIC

it increased with the increased desire to render several planes one behind the other. With the advent of the Renaissance it became still more accentuated, the heads and figures projecting greatly; but such high relief is sometimes found in early

work

WORK

, especially in metal-

work

WORK

. Although we see a return to lower relief in the Henri II. period, it becomes stronger in the Louis XIII. style, very full in Louis XIV. and Louis XV., but in Louis XVI. is considerably reduced. (M. H. S.)

End of Article: RELIEF

If you wish, you can link directly to this article.

<a href="http://jcsm.org/StudyCenter/Encyclopedia/RAY_RHU/RELIEF.html">
RELIEF
</a>

(Previous)
RELICS (Lat, reliquiae, the equivalent of the E...

(Next)
RELIGION

JCSM was founded in 1997 and exists to help the community and bring people into a life-changing and productive relationship with Jesus Christ. JCSM offers over 200,000 free web pages, including its weekly inspirational emails that were sent continuously for over a decade.

Jesus Christ Saves Ministries
P.O. Box 9297
San Diego, CA 92169
1-888-887-0417 or Email