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Encyclopedia Britannica - Main :: RAY-RHU |
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REISKE, JOHANN JACOB (1716-1774) , German scholar and physician, was born on the 25th of December 1716 at Zorbig in Electoral Saxony. From the Waisenhaus at Halle
Leipzig
Reiske's first years in Leiden were not unhappy, till he got into serious trouble by introducing emendations of his own into the second edition of Burmann's Petronius
Leipzig
But his shy, proud natuee was not fitted to gain patients, and the Leipzig doctors would not recommend one who was not a Leipzig graduate. In 1747 an Arabic dedication to the electoral prince of Saxony got him the title of professor, but neither the faculty of arts nor that of medicine was willing to admit him among them, and he never delivered a course of lectures. He had still to go on doing literary task-work, but his labour was much worse paid in Leipzig than in Leiden. Still he could have lived and sent his old mother, as his custom was, a yearly present of a piece of leather to be sold in retail if he had been a better manager. But, careless for the morrow, he was always printing at his own cost great books which found no buyers. His academical colleagues were hostile; and Ernesti, under a show of friendship, secretly hindered his promotion. His unsparing reviews made bad blood with the pillars of the university. At length in 1758 the magistrates of Leipzig rescued him from his misery by giving him the rectorate of St Nicolai, and, though he still made no way with the leading men of the university and suffered from the hostility of men like Ruhnken and J. D. Michaelis, he was compensated for this by the esteem of Frederick the Great, of Lessing, Karsten Niebuhr , and many foreign scholars. The last decade of his life was made cheerful by his marriage with Ernestine Muller, who shared all his interests and learned Greek to help him with collations. In proof of his gratitude her portrait stands beside his in the first volume of the Oratores Graeci. Reiske died on the 14th of August 1774, and his MS. remains passed, through Lessing's mediation, to the Danish minister Suhm, and are now in the Copenhagen library.Reiske certainly surpassed all his predecessors in the range and quality of his knowledge of Arabic literature. It was the history, the realia of the literature, that always interested him; he did not care for Arabic poetry as such, and the then much praised Hariri sewed to him a grammatical pedant. He read the poets less for their verses than for such scholia as supplied historical notices. Thus for example the scholia on Jarir furnished him with a remarkable notice of the prevalence of Buddhist doctrine and asceticism in 'Irak under the Omayyads. In the Adnotationes historicae to his Abulfeda (Abulf. Annales Moslemici, s vols., Copenhagen, 1789-91), he collected a veritable treasure of sound and original
numismatics, and his letters on Arabic coinage (in Eichhorn's Repertorium, vols. ix.xi.) form, according to De Sacy, the basis of that branch of study. To comprehensive knowledge and very wide reading he added a sound historical judgment. He was not, like Schultens, deceived by the pretended antiquity of the Yemenite Kasidas.l Errors no doubt he made, as in the attempt to ascertain the date of the breach of the dam of Marib. Though Abulfeda as a late
point for methodical study of the sources, Reiske's edition with his version and notes certainly laid the foundation for research in Arabic history. The foundation of Arabic philology, however, was laid not by him but by De Sacy. Reiske's linguistic knowledge was great, but he used it only to understand his authors; he had no feeling for form, for language as language, or for metre. In Leipzig Reiske worked mainly at Greek, though he continued to draw on his Arabic stores accumulated in Leiden. Yet his merit as an Arabist was sooner recognized than the value of his Greek work. Reiske the Greek scholar has been rightly valued only in recent
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), French actress, was born in Paris, the daughter of an actor. She was a pupil of Regnier at the Conservatoire, and took the second prize for comedy in 1874. Her debut was made the next year, during which she played attractively a number of lightespecially soubretteparts. Her first great success was in Henri Meilhac's Ma camarade (1883), and she soon became known as an emotional actress of rare gifts, notably in Decore, Germinie Lacerteux, Ma cousine, A moureuse and Lysisirata. In 1892 she married M. Porel, the director of the Vaudeville theatre, but the marriage was dissolved in 1905. Her performances in Madame Sans Gene (1893) made her as well known in England and America as in Paris, and in later years she appeared in characteristic parts in both countries, being particularly successful in Zaza and La Passerelle. She opened the Theatre Rejane in Paris in 1906. The essence of French vivacity and animated expression appeared to be concentrated in Madame Rejane's acting, and made her unrivalled in the parts which she had made her own. End of Article: REISKE, JOHANN JACOB (1716-1774) If you wish, you can link directly to this article.
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