REID, ROBERT (1862 )

This article appears in Volume V23, Page 50 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: RAY-RHU

REID, ROBERT (1862 ) , American artist, was born at Stockbridge, Mass., on the 29th of July 1862. He studied at the art schools of the Boston Museum of Fine Arts, the Art Students' League, New

York

YORK
YORK (
HOUSE
- HOUSE
- HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in
  Gothic
  - GOTHIC
  it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)
OF)
YORK, EDMUND OF
LANGLEY
- LANGLEY, SAMUEL PIERPONT (1834-1906)
, DUKE OF (1341-1402)
YORK, EDWARD
YORK, FREDERICK
AUGUSTUS
- AUGUSTUS (a name 1 derived from Lat. augeo, increase, i.e. venerable, majestic, Gr. Ee0avr6s)
, DUKE OF (1763-1827)
YORK, RICHARD, DUKE

, and under Boulanger and Lefebvre in Paris. His early pictures were figures of French peasants, painted at ftaples, but subsequently he became best known for mural decoration and designs for stained glass. He contributed with others to the frescoes of the

dome

DOME (Lat domus,
house
- HOUSE
- HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in
  Gothic
  - GOTHIC
  it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)
; Ital. duomo, cathedral)

of the Liberal Arts Building at the Columbian Exposition, Chicago, in 1893. Other

work

WORK

is in the Congressional Library, Washing-ton, the Appellate Court House, New

York

YORK
YORK (HOUSE OF)
YORK, EDMUND OF
LANGLEY
- LANGLEY, SAMUEL PIERPONT (1834-1906)
, DUKE OF (1341-1402)
YORK, EDWARD
YORK, FREDERICK
AUGUSTUS
- AUGUSTUS (a name 1 derived from Lat. augeo, increase, i.e. venerable, majestic, Gr. Ee0avr6s)
, DUKE OF (1763-1827)
YORK, RICHARD, DUKE

, and the State House, Boston, where are his three large panels, " James Otis Delivering his Speech against the Writs of Assistance," " Paul Revere's Ride " and the " Boston Tea Party." He executed a panel for the American Pavilion at the Paris Exhibition, 1900, and in 1906 he completed a

series

SERIES (a Latin word from serere, to join)

of ten stained glass windows for a church at Fairhaven, Mass., for the Rogers Memorial. In 1906 he became a full member of the National

Academy

ACADEMY, GREEK
ACADEMY, ROYAL

Design

DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

.

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