NOCTURN, or NOCTURNE (Lat. nocturnus, of or belonging to the night, nox)
This article appears in Volume V19, Page 731 of the Encyclopedia Britannica.
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NOCTURN, or NOCTURNE (Lat. nocturnus, of or belonging to the night, nox) , in the Roman Church See Also: - CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
, one of the three divisions of the office of matins, corresponding with the vigils, beginning at 9 P.M. midnight and 3 A.M. respectively. The service consists of psalms , lessons and antiphons (see BREVIARY). The term " nocturne " is applied to a musical composition, answering to the earlier " serenade, " of a quiet, dreamy and romantic character. The name and style are said to have originated with John Field (1782-1837). The best-known compositions of this kind are the pianoforte pieces of Chopin . J. McNeill Whistler also introduced the term into painting by using the name for some of his night-pieces. A " nocturnal " is an instrument for finding the hour of the night by observation of the relative positions of the pole -star and other stars, generally the pointers of Ursa Major. The British Museum contains a fine nocturnal made about 156o by Humfray Cole (see NAVIGATION).
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