MORE, HANNAH (1745-1833)

This article appears in Volume V18, Page 822 of the Encyclopedia Britannica.

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MORE, HANNAH (1745-1833) , English religious writer, was born at Stapleton, near Bristol, on the 2nd of February 1745 She may be said to have made three reputations in the course of her long life: first, as a clever verse-writer and witty talker in the circle of Johnson, Reynolds and Garrick; next, as a writer on moral and religious subjects on the Puritanic side; and lastly, as a practical philanthropist. She was the youngest but one of the five daughters of Jacob More, who, though a member of a Presbyterian family in Norfolk, had become a member of the English Church and a strong Tory. He taught a school at Stapleton in Gloucestershire. The elder sisters established a boarding-school at Bristol, and Hannah became one of their pupils when she was twelve years old. Her first literary efforts were

pastoral

PASTORAL (from Lat. pastor, a shepherd)

plays, suitable for young ladies to act, the first being written in 1762 under the title of A Searck after Happiness (end ed. 1773).. Metastasio was one of her literary models; on his opera of Attilio regulo she based a drama, The Inflexible Captive, published in 1774. She gave up her share in the schoolin view of an engagement of marriage she had contracted with a Mr Turner. The wedding never took place, and, after much reluctance, Hannah More was induced to accept from Mr Turner an

annuity

ANNUITY (from Lat. annus, a year)

which had been settled on her without her knowledge. This set her free for literary pursuits, and in 1.772 or 1773 she went to London. Some verses on Garrick's Lear led to an acquaintance with the actor-playwright; Miss More was taken up by Elizabeth Montague; and her unaffected enthusiasm,simplicity, vivacity, and wit won the hearts of the whole Johnson set, the lexicographer himself included, although he is said to have told her that she should " consider what her flattery was worth before she choked him with it." Garrick wrote the prologue and epilogue for her tragedy Percy, which was acted with great success at Covent Garden in December 1777. Another drama, The Fatal Falsehood, produced in 1779 after Garrick's death, was less successful. The Garricks had induced her to live with them; and after Garrick's death she remained with his wife, first at Hampton Court, and then in the Adelphi. In 1781 she made the acquaintance of Horace Walpole, and corresponded with him from that time. At Bristol she discovered a poetess in Mrs Anne Yearsley (1756-1806), a milkwoman, and raised a consider-able sum of money for her benefit. " Lactilla," as Mrs Yearsley was called, wished to receive the

capital

CAPITAL (i.e. capital stock or fund)
CAPITAL (Lat. caput, head)

, and made insinuations against Miss More, who desired to hold it in trust. The -trust was handed over to a Bristol merchant and eventually. to the poetess.
Hannah More published Sacred Dramas in 1782, and it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to mere serious views of life, which were fully expressed in prose. in her Thoughts on the Importance of the Manners of the Great to General, Society (1788), and An Estimate of the Religion of the Fashionable World (1790). She was intimate with Wilberforce and Zachary Macaulay, with whose evangelical views she was in entire sympathy. She published a poem on Slavery in 1788. In 1785 she bought a house, at Cowslip Green, near Wrington, near Bristol, where she settled down to country life with her sister Martha, and wrote many ethical books and tracts: Strictures on Female Education (1799), Hints towards forming the Character of a Young Princess (18o5), Coelebs in Search of a Wife (only nominally a story, 1809), Practical Piety (1811), Christian Morals (1813), Character of St Paul (1815), Moral Sketches (1819). The tone is uniformly animated; the writing fresh and vivacious; her favourite subjects the minor self-indulgences and infirmities. She was a rapid writer, and her work is consequently discursive and form-less; but there was an originality and force in her way of putting commonplace sober sense and piety that fully accounts for,hel extraordinary popularity. The most famous of her books was Coelebs in Search of a. Wife, which had an enormous circulation among pious people. Sydney Smith attacked it with violence in the Edinburgh Review for its general priggishness. It is interesting to note that the model Stanley children have been said to, be

drawn

DRAWN

from T. B. Macaulay and his sister. She also wrote many spirited rhymes and prose tales, the earliest of which was

Village

VILLAGE

Politics (1792), by " Will Chip," to counteract the doctrines. of Tom Paine and the influepce of the French Revolution. The success of

Village

VILLAGE

Politics induced her to begin the series of " Cheap Repository Tracts," which were for three years produced by Hannah and her sisters at the rate of three a month. Perhaps the most famous of these is The Shepherd of Salisbury Plain, describing a family of phenomenal frugality and contentment. This was translated into several languages. Two million copies of these rapid and telling sketches were circulated in, one year, teaching the poor in rhetoric of most ingenious homeliness -to rely upon the virtues of content, sobriety, humility,. industry, reverence for the British Constitution, hatred of the French, trust in God and in the kindness of. the gentry.
Perhaps the best proof of Hannah More's sterling worth was her indefatigable philanthropic workher long-continued exertions to improve the condition of the children in the mining districts of the Mendip Hills near her home at Cowslip Green and Barley Wood. The More sisters rnet with a good deal of
opposition in their good works. The farmers thought that education, even to the limited extent of learning to read, would be fatal to agriculture, and the clergy, whose neglect she was making good, accused her of Methodist tendencies. In her old age, philanthropists from all parts made pilgrimages to see the

bright

BRIGHT, JOHN (1811-188g)
BRIGHT, SIR CHARLES TILSTON

and amiable old lady, and she retained all her faculties till within two years of her death, dying at Clifton, where the last five years of her life were spent, on the 7th of September 1833.
See The Life of Hannah More, with Notices of Her Sisters (1838), by the Rev. Henry Thompson. The article in the Dict. Nat. Biog. is by Sir Leslie Stephen. Some letters of Hannah More, with a very slight connecting narrative, were published in 1872 by William Roberts as The Life of Hannah More. See also Hannah More (1888), by Charlotte M. Yonge, in the " Eminent Women " series, and Hannah More (New

York

YORK
YORK (HOUSE OF)
YORK, EDMUND OF
LANGLEY
- LANGLEY, SAMUEL PIERPONT (1834-1906)
, DUKE OF (1341-1402)
YORK, EDWARD
YORK, FREDERICK
AUGUSTUS
- AUGUSTUS (a name 1 derived from Lat. augeo, increase, i.e. venerable, majestic, Gr. Ee0avr6s)
, DUKE OF (1763-1827)
YORK, RICHARD, DUKE

and London, 1900), by " Marion Harland." Letters of Hannah More to Zachary Macaulay were edited (186o) by Arthur Roberts. The contemporary opposition to her may be seen in an abusive Life of Hannah More, with a Critical Review of Her Writings (1802), by the " Rev. Archibald Macsarcasm " (William Shaw,

rector

RECTOR (Lat. for " ruler," " guide," &c., from regere, " rule ")

of Chelvey, Somerset).

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