MISCELLANEOUS

This article appears in Volume V21, Page 804 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: MIC-MOL

MISCELLANEOUS .Hertfelder, Basilica SS. Udalrici et Afrae (Augsburg, 1627) ; Masson, Neue Vorrisse von Sachen die auf allerlei Goldsmidts Arbeit, &c. (Augsburg, 1710) ; Christyn, Delices des Pays-Bas (1769), vol. iii. ; Frisi, Memorie delta chiesa Monzese (17741780) ; Shaw, Ancient Plate from Oxford (1837) ; Du Sommerard, Les Arts au moyen age (18381848); Kratz, Der Dom zu Hildesheim (184o); Richardson, Old English Mansions and their Plate (1841'848); Drawings and Sketches of Elizabethan Plate (London, n.d.); Tarbe, Tresors des eglises de Reims (1843); Smith, Specimens of College Plate," Cam. Ant. Soc. (1845) ; Cattier and Martin, Melanges d'archeologie (18471856); Filimoroff, Plate, Jewellery, &'c., in the Musee d'Armures at St

Petersburg

PETERSBURG

(Moscow, 1849) ; Schotel, La Coupe de van Nispen (185o) ; H. Emanuel, Catalogue of the Principal Works of Art in Gold, Silver and Jewels shown at the International Exhibition (185,); King, Metal Work of the Middle Ages (1852); Becker and Hefner-Alteneck, Kunstwerke and Gereitschaften (Frankfort, '852'857); Fleury, Tresor de la cathedrale de Laon (1855) ; Heider, Mittelalterliche Kunstdenkmale (1856186o) ; Der Altaraufsatz zu Klosterneuburg (186o) ; Aus'm Weerth, Kunstdenkmaler des christlichen Mittelalters in den Rheinlanden (

Leipzig

LEIPZIG

, '857'86o); Texier, Dictionnaire d'orfevrerie (1857) ; Bock, Das heilige Koln (1858) ; Der Retiquienschatz . . zu Aachen (1860) ; Der Kronleuchter Kaisers Barbarossa zu Aachelz (1864) ; Die Kleinodien des heil. rbmischen Reiches (1864); Viollet-le-Duc, Dictionnaire du mobilier (1858'875); Darcel, articles in Gaz. des beaux-arts, " L'Orfevrerie du moyen-age " (1859) iv. 224, " La Collection Soltykoff " (186,) Ix. 212, " Les Tresors de Cologne " (1861) xxiii. 98, " Les Tresors de la cathedrale de Reims " (1881) xxiii. 98; Way, " Gold Crowns from Toledo, and St Fillan's

Crozier

CROZIER
CROZIER, WILLIAM (1855– )

," in Arch. Journ. (1859), vol. xvi., and " Ancient Ornaments," ibid. vol. iii. ; F. W. Fairholt, Illustrated Catalogue of Lord Londesborough's Collection of Plate (186o); De Lasteyrie, Tresor de Guarrazar (Paris, 186o); Histoire de lorfevrerie (1875); Coussemaker, Orfevrerie du XIII' siecle (Paris, '860; Linas, Orfevrerie merovingienne 0864); Labarte, Histoire des arts au moyen-dge (18641866) ; Baldus, Recueil d'ornements (Paris, 1866), Quarterly Review, cxli. 353; Strada, Entwitrfe fur Prachtgefasse in Silber and Gold (Vienna, '869); Zeitschrift des Kunst-Gewerbe-Vereins zu Munchen (1871); La Croix, Arts in the Middle Ages (187o) ; Keller, Autotypes of Italian Designs for Plate (London, 1871) ; Aubert, Tresor de l'abbaye d'Agaune (Paris, 1872) ; Kulmer, Die Kunst des Gold-Arbeiters, &c. (

Weimar

WEIMAR

, 1872) ; Schorn, Kunst and Gewerbe (1874, seq.) ; Fabre, Tresor . . . des dues de Savoie (1875); Jacquemart, Histoire du mobilier (1876); Hirth, Formenschatz der Renaissance (

Leipzig

LEIPZIG

, 18i7, seq.); Danko, Graner Domschdtze (188o); Luthmer, Goldschmuck der Renaissance (Berlin, 188o) ; Wheatley and Delamotte, Art Work in Gold and Silver (1882) ; A. Heyden, Das Tafelsilber and Silberarbeiten ihrer kgl. Hoheiten des Prinzen u. der Prinzessin Wilhelm v. Preussen, Festgeschenk zu hochstderen Vermahlung am 27. Februar 2881 dargebracht von preussischen Stddten (18831884) ; J. and C. Jeidels,Catalogue of Collection
of Plate, 26th-18th Centuries (1883); Greco and Emanuel, Arts of the Goldsmith and Jeweller (1883); I. F. Sick, Notice sur les ouvrages en or et argent des rois de Denmark (1884); Julius Leasing, " Der Silber Altar in Rugenwalde," Konig. preuss. Kunstsammlungen Jahrbuch (1885), vi. 58; Gold and Silber (1907); C. Pulsky, E. Radisics and E. Molinier, Chefs-d'oeuvre d'orfbvrerie ayant figure a l'ex position de Buda-pest (2 vols., 1886) ; R. von Kulmer, Handbuch fur Gold u. Silberarbeiter u. Juweliere (1887) ; E. Molinier, " Le Tresor de Saint Marc a Venise," Gaz. des beaux-arts, 2nd

series

SERIES (a Latin word from serere, to join)

, vols.

xxxv

XXXV

., xxxvii., xxxviii., 3rd

series

SERIES (a Latin word from serere, to join)

, vol. i. (1887-1889) ; Le Tresor de la cathedrale de Coire (1895) ; Catalogue of Baron Adolphe de Rothschild's collection of Objects of Art (1902) ; A. Darcel, " Les Collections Spitzer," Gaz. des beaux-arts, 2nd series, xxxviii. 225 (1888); L. Gmelin, Alte Handzeichnungen nach dem verlorenen Kirchens(hatz der St-Michaels-Hofkirche zu Munchen (1888); A. Ilg, Kunsthistorisches Hofmuseum, &c. (1891); Arbeiten der Goldschmiede- u. Steinschlifftechnik (1895); Kunsthistorische Sammlungen des allerhochsten Kaiserhauses: A rbeiten der Goldschmiedeund Steinschlifftechnik (1895); E. Marchal, La Sculpture et les chefs-d'oeuvre de l'orfevrerie belges (1895); B. Czobor, Les Insignes royaux de Hongrie (1896) ; W. Froehner, Collections de chateau de Goluchow: l'orfevrerie (1897); R. Hausmann, Der Silberschatz der St Nickolaikirche zu

Reval

REVAL, or REVEL (Russ. Revel, formerly Kolyvan; Esthonian, Tallina and Tannilin)

(1899); Warner Silfersparres nya grafiska aktiebolag (Stockholm, 1900) ; F. R. Martin, Schwedische konigliche Geschenke an russische Zaren, 16n7-1699 (19o0); Danische Silberschdtze aus der Zeit Christians IV. aufbewahrt in der kaiserlichen Schatzkammer zu Moskau (1900) ; J. Starkie Gardner, Catalogue of the Collection of Silversmiths' work of European Origin (Burlington Fine Arts Club, 1901) ; A. Pit, Het goud en zilverwerk in het Nederlandsch Museum, &c. (1901) ; Kaiserliche Ermitage, St

Petersburg

PETERSBURG

, Fithrer durch die Peter-Gallerie (19o1); Illustrated Catalogue of the Waddesdon Bequest, British Museum (1902) ; H. L. Tilly, The Silver Work of Burma (1902) ; P. Eudel, L'Orfevrerie algerienne et tunisienne (1902); H. Barth, Das Geschmiede (1903); H. Wilson, Silverwork and Jewellery (1903); H. P. Mitchell, " A Medieval Silver Chalice from Iceland," Burlington Mag. (1903) ii. 70, 357; E. Ducharne and P. Vialettes, Manuel de l'orfevre: la garantie du titre des ouvrages d'or et d'argent (1904); W. Stengel, Formalikonographie (Detailaufnahmen) der Gefasse auf den Bildern der Anbetung der Konige (1904) ; " Le Musee Willet-Holthuyscn: 1'orfevrerie et 1'argenterie," Art flamand er hollandais (1905), iv. 29; O. M. Dalton, Treasure of the Oxus (1905); H. H. Cunynghame, European Enamels (1906); Rosenberg, Geschichte der Goldschmiedekunst auf technischer Grundlage, Abteilung:

Niello

NIELLO (the Italian form of Lat. nigellum, diminutive of ?tiger, " black "; Late Gr. /IAAavbv)

(1907); ibid. Abteilung: Aushangebogen (1908); Nelson

Dawson

DAWSON, GEORGE (1821-1876)
DAWSON, SIR JOHN WILLIAM (1820-1899)

, Goldsmiths' and Silversmiths' Work (1907); " Ecclesiastical Gold-smiths' Work in the Coast Towns of Istria and Dalmatia," The Builder, xciii. nos. 3384 and 3385; L. Forrer, Dictionary of Medallists, &c. (in progress), 8 vols.; T. Olrik, Drikkehorn (

wassail

WASSAIL (0. Eng. woes hal, " be whole," " be well ")

horns), in progress; Thieme and Becker, Allgemeines Lexikon der bildenden Kiinstler von der Antike bis zur Gegenwart. (E. A. J.)

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