MIEREVELT (MIEREVELD, or MIREVELDT), MICHIEL JANSZ VAN (1567-1641)

This article appears in Volume V18, Page 425 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: MIC-MOL

MIEREVELT (MIEREVELD, or MIREVELDT), MICHIEL JANSZ VAN (1567-1641) , Dutch painter, was born at Delft, the son of a goldsmith, who apprenticed him to the copperplate engraver J. Wierix. He subsequently became a pupil of Willem Willemz and Augusteyn of Delft, until Anthonie van Montfoort (Blocklandt), who had seen and admired two of Mierevelt's early engravings, " Christ and the Samaritan " and " Judith and Holofernes," invited him to enter his school at Utrecht. Devoting himself first to still life, he eventually took up portraiture, in which he achieved such success that the many commissions entrusted to him necessitated the employment of numerous assistants, by whom hundreds of portraits were turned out in factory fashion. The works that can with certainty be ascribed to his own brush are remarkable for their sincerity, severe drawing and harmonious colour, but comparatively few of the two thousand or more portraits that

bear

his name are wholly his own handiwork. He settled down in his native town, but went frequently to The Hague, where he entered the gild of St Luke in 1625. So

great

GREAT

was his reputation that he was patronized by royalty in many countries and acquired

great

GREAT

wealth. The king of Sweden and the count palatine of Neuburg presented him with golden chains, Arch-duke Albrecht gave him a pension, and Charles I. vainly endeavoured to induce him to visit the English court. Though Mierevelt is chiefly known as a portrait painter, he also executed some mythological pieces of

minor

importance. Many of his portraits have been reproduced in line by the leading Dutch engravers of his time. He died at Delft on the 27th of June 1641.
The Ryks Museum in Amsterdam has the richest collection of Mierevelt's works,

chief

CHIEF (from Fr. chef, head, Lat. caput)

of them being the portraits of William, Philip William, Maurice, and Frederick

Henry

of Orange, and of the count palatine Frederick V. At The Hague Museum are the portraits of four princes of the

house

HOUSE
HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in
Gothic
- GOTHIC
it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

of Orange, of Frederick V., king of Bohemia, and of Louise de Coligny as a widow. Other portraits by him are at nearly all the leading continental galleries, notably at Brunswick (3), Gotha (2), Schwerin (3), Munich (2), Paris (Louvre, 3), Dresden (4), Berlin (2), and Darmstadt (3). The town

hall

of Delft also has numerous examples of his

work

WORK

.
Many of his pupils and assistants rose to fame. The most gifted of them were Paulus Moreelse and Jan van Ravesteyn. His sons Pieter (15961623) and Jan (d. 1633), and his son-in-law Willem Jacobz Delff, probably painted many of the pictures which go under his name. His portrait was painted by Van Dyck and engraved by Delff.

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