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Encyclopedia Britannica - Main :: MAR-MEC |
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MARTINI, SIMONE (1283-1344) , Sienese painter, called also Simone di Martino, and more commonly, but not correctly, Simon Memmi,' was born in 1283. He followed the manner of painting proper to his native Siena, as improved by Duccio, which is essentially different from the stylg of Giotto and his school, and the idea that Simone was himself a pupil of Giotto is therefore wide of the mark. The Sienese style is less natural, dignified and reserved than the Florentine; it has less unity of impression, has more tendency to pietism, and is marked by exaggerations which are partly related to the obsolescent Byzantine manner, and partly seem to forebode certain peculiarities of the fully developed art which we find prevalent in Michelangelo. Simone, in especial, tended to an excessive and rather affected tenderness in his female figures; he was more successful in single figures and in portraits than in large compositions of incident. He finished with scrupulous minuteness, and was elaborate in decorations of patterning, gilding, &c. The first known fresco of Simone is the vast one which he executed in the hall
Maggiore of Naples he painted a life-sized picture of King Robert crowned by his brother Lewis, bishop of Toulouse; this also is extant, but much damaged. In 1320 he painted for the high altar of the church of S. Caterina in Pisa the Virgin and Child between six saints; above are archangels, apostles and other figures. The compartmented portions of this work
Savona
Vasari
Simone had married in 1324 Giovanna, the daughter of Memmo (Guglielmo) di Filippuccio. Her brother, named Lippo Memmi, was also a painter, and was frequently associated with Simone in his work
Milan . He was largely employed in the decorations of the papal buildings' The ordinary account of Simone is that given by Vasari
Some of the works with which Simone's name and fame have been generally identified are not now regarded as his. Such are the compositions, in the Campo Santo of Pisa, from the legend of S. Ranieri, and the " Assumption of the Virgin "; and the great
Triumph
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