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Encyclopedia Britannica - Main :: MAR-MEC |
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MARTINI, GIOVANNI BATTISTA (17061784) , Italian musician, was born at Bologna on the 24th of April 1706. His father, Antonio Maria Martini , a violinist, taught him the elements of music and the violin
harpsichord
Neri
Martini was a zealous collector of musical literature, and possessed an extensive musical library. Burney
Rossini
The greater number of Martini's sacred compositions remain unprinted. The Liceo of Bologna possesses the MSS. of two oratorios; and a requiem, with some other pieces of church music, are now in Vienna. Litaniae atque antiphonae finales B. V. Mariae were published at Bologna in 1734, as also twelve Sonate d'intavolatura; six Sonate per l'organo ed it cembalo in 1747; and Duetti da camera in 1763. Martini's most important works are his Storia della musica (Bologna, 17571781) and his Saggio di contrapunto (Bologna, 1774-1775). The former, of which the three published volumes relate wholly to ancient music, and thus represent a mere fragment of the author's vast plan, exhibits immense reading and industry, but is written in a dry and unattractive style, and is overloaded with matter which cannot be regarded as historical. At the beginning and end of each chapter occur puzzle-canons, wherein the primary part or parts alone are given, and the reader has to discover the canon that fixes the period and the interval
work
chant , and of counterpoints constructed upon them. Besides being the author of several controversial works, Martini drew up a Dictionary of Ancient Musical Terms, which appeared in the second volume of G. B. Doni's Works; he also published a treatise on The Theory of Numbers as applied to Music. His celebrated canons, published in London, about 1800, edited by Pio Cianchettini, show him to have had a strong sense of musical humour.End of Article: MARTINI, GIOVANNI BATTISTA (17061784) If you wish, you can link directly to this article.
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