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Encyclopedia Britannica - Main :: LOB-LUP |
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LOTI, PIERRE [the pen-name of Louis MARIE Ju.LIEN VIAUD] (1850 ) , French author, was born at Rochefort on the 14th of January 185o. The Viands are an old Protestant
in Le Roman d'un enf ant (1890). His education began in Roche-fort, but at the age of seventeen, being destined for the navy, he entered the naval school, Le Borda, and gradually rose in his profession, attaining the rank of captain in 1906. In January 1910 he was placed on the reserve list
call
great
series of scandals which followed on the capture of Hue (1883), and was suspended from the service for more than a year. He continued for some time nearly silent, but in 1886 he published a novel of life among the Breton
series of short studies of exotic places, in his peculiar semi-autobiographic style. The fantastic novel of Japanese manners, Madame Chrysantheme, belongs to the same year. Passing over one or two slighter productions, we come in 1890 to Au Maroc, the record of a journey to Fez in company with a French embassy. A collection of strangely confidential and sentimental reminiscences, called Le Livre de la pitie et de la mort, belongs to 1891. Loti was on board his ship at the port of Algiers when news was brought to him of his election, on the 21St of May 1891, to the French Academy. In 1892 he published FantOme d'orient, another dreamy study of life in Constantinople, a sort of continuation of Aziyade. He described a visit to the Holy Land, somewhat too copiously, in three volumes (1895-1896), and wrote a novel, Ramuntcho (1897), a story of manners in the Basque province, which is equal to his best writings. In 1900 he visited British India, with the view of describing what he saw; the result appeared in 1903 L'Inde (sans les Anglais). At his best Pierre Loti was unquestionably the finest descriptive writer of the day. In the delicate exactitude with which he reproduced the impression given to his own alert nerves by unfamiliar forms, colours, sounds and perfumes, he was without a rival. But he was not satisfied with this exterior charm; he desired to blend with it a moral sensibility of the extremest refinement, at once sensual and ethereal. Many of his best books are long sobs of remorseful memory, so personal, so intimate, that an English reader is amazed to find such depth of feeling compatible with the power of minutely and publicly recording what is felt. In spite of the beauty and melody and fragrance of Loti's books his mannerisms are apt to pall
confession , half-way between fact and fiction, which he essayed in his earlier books. When all his limitations, however, have been rehearsed, Pierre Loti remains, in the mechanism of style and cadence, one of the most original
book; and, in collaboration with Emile Vedel, a translation of King Lear, also produced at the Theatre Antoine in 1904. (E.G.) End of Article: LOTI, PIERRE [the pen-name of Louis MARIE Ju.LIEN VIAUD] (1850 ) If you wish, you can link directly to this article.
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