GUDRUN (KUDRUN)

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GUDRUN (KUDRUN) , a Middle High German epic, written probably in the early years of the 13th century, not long after the Nibelungenlied, the influence of which may be traced upon it. It is preserved in a single MS. which was prepared at the command of

Maximilian

MAXIMILIAN
MAXIMILIAN (1832—1867)

I., and was discovered as

late

LATE

as 1820 in the Castle of Ambras in Tirol. The author was an unnamed Austrian poet, but the story itself belongs to the cycle of sagas, which originated on the shores of the North Sea. The epic falls into three easily distinguishable partsthe adventures of King

Hagen

HAGEN
HAGEN, FRIEDRICH HEINRICH VON DER (178o-1856)

of Ireland, the romance of Hettel, king of the Hegelingen, who woos and wins

Hagen

HAGEN
HAGEN, FRIEDRICH HEINRICH VON DER (178o-1856)

's daughter Hilde, and lastly, the more or less parallel story of how Herwig, king of Seeland, wins, in opposition to her father's wishes, Gudrun, the daughter of Hettel and Hilde. Gudrun is carried off by a king of Normandy, and her kinsfolk, who are in pursuit, are defeated in a

great

GREAT

battle on the island of Wiilpensand off the Dutch coast. The finest parts of the epic are those in which Gudrun, a prisoner in the Norman castle, refuses to become the wife of her captor, and is condemned to do the most menial

work

WORK

of the household. Here, thirteen years later, Herwig and her bxother Ortwin find her washing clothes by the sea; on the following day they attack the Norman castle with their army and carry out the long-delayed retribution.
The epic of Gudrun is not unworthy to stand beside the greater Nibelungenlied, and it has been aptly compared with it as the Odyssey to the Iliad. Like the Odyssey, Gudrun is an epic of the sea, a story of adventure; it does not turn solely round the conflict of human passions; nor is it built up round one all-absorbing, all-dominating idea like the Nibelungenlied. Scenery and incident are more varied, and the poet has an opportunity for a more lyric interpretation of

motive

MOTIVE (from Lat. movere, to move)

and character. Gudrun is composed in stanzas similar to those of the Nibelungenlied, but with the essential difference that the last line of each stanza is identical with the others, and does not contain the extra accented syllable characteristic of the Nibelungen metre.
Gudrun was first edited by von der Hagen in vol. i. of his Heldenbuch (182o). Subsequent editions by A, Ziemann and A. J. Vollmer followed in 1837 and 1845. The best editions are those by K. Bartsch (4th ed., 188o), who has also edited the poem for Kiirschner's Deutsche Nationalliteratur (vol. 6, 1885), by B. Symons (1883) and by E. Martin (2nd ed., 1901). L. Ettmuller first applied Lachmann's ballad-theory to the poem (1841), and K. Miillenhoff (Kudrun, die echten Teile des Gedichts, 1845) rejected more than three-quarters of the whole as " not genuine." There are many translations of the epic into modern German, the best known being that of K. Simrock (15th ed., 1884). A translation into English by M. P.

Nichols

NICHOLS, JOHN (1745–1826)

appeared at Boston, U.S.A., in 1889.
See K. Bartsch, Beitrage zur Geschichte and Kritik der Kudrun (1865); H. Keck, Die Gudrunsage (1867); W. Wilmanns, Die Entwickelung der Kudrundichtung (1873) ; A. Fecamp, Le Poe me de Gudrun, ses origines, sa formation et son histoire (1892) ; F. Panzer, Hilde-Gudrun (1901). For later versions and adaptations of the saga see 0. Benedict, Die Gudrunsage in der neueren Literatur (1902.)
GU$BRIANT, JEAN BAPTISTE BUDES, COMTE DE (1602-
1643), marshal of France, was born at Plessis-Budes, near St Brieuc, of an old

Breton

BRETON, BRITTON
BRETON, JULES ADOLPHE

family. He served first in Holland, and in the Thirty Years' War he commanded from 1638 to 1639 the French contingent in the army of his friend

Bernard

of Saxe-

Weimar

WEIMAR

, distinguishing himself particularly at the siege of Breisach in 1638. Upon the death of

Bernard

he received the command of his army, and tried, in conjunction with J. Baner (1J96-1641), the Swedish general, a bold attack upon Regensburg (164o). His victories of Wolfenbiittel on the 29th of June 1641 and of Kempen in 1642 won for him the marshal's baton. Having failed in an attempt to invade Bavaria in concert with Torstensson he seized Rottweil, but was mortally wounded there on the 17th of November 1643.
A biography was published by Le Laboureur, Histoire du mareschal de Guebriant, in 1656. See A. Brinzinger in Wurttembergische Vierteljahrschrift fur Landesgeschichte (1902).

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