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Encyclopedia Britannica



GLINKA, S

This article appears in Volume V12, Page 123 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: GEO-GNU
GLINKA, S . N.
de Rosen). This was the turning-point, in Glinka's
life
 ,for the
work
  was not only a
great
  success, but in a manner became the origin and basis of a Russian school of national music. The story is taken from the invasion of
Russia
  by the Poles early in the 17th century, and the hero is a peasant who sacrifices his
life
  for the tsar. Glinka has wedded this patriotic theme to inspiring music. His melodies, moreover, show distinct affinity to the popular songs of the Russians, so that the
term
  "national" may justly be applied to them. His appointment as imperial chapelmaster and conductor of the opera of St Peters-burg was the reward of his dramatic successes. His second opera Russian and Lyudmila, founded on
Pushkin
 's poem, did not appear till 1842; it was an advance upon Life for the Tsar in its musical aspect, but made no impression upon the public. In the meantime Glinka wrote an overture and four entre-actes to Kukolnik's drama Prince Kholmsky. In 1844 he went to Paris, and his Jota Arragonesa (1847), and the symphonic
work
  on Spanish themes, Une Nuit a Madrid, reflect the musical results of two years' sojourn in Spain. On his return to St
Petersburg
  he wrote and arranged several pieces for the orchestra, amongst which the so-called Kamarinskaya achieved popularity beyond the limits of
Russia
 . He also composed numerous songs and romances. In 1857 he went abroad for the third time; he now wrote his autobiography, orchestrated Weber's Invitation a la valse, and began to consider a plan for a musical version of Gogol's Tarass-Boulba. Abandoning the
idea
  and becoming absorbed in a passion for ecclesiastical music he went to Berlin to study the ancient
church
  modes. Here he died suddenly on the 2nd of
February
  1857.


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