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Encyclopedia Britannica - Main :: DIO-DRO |
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DOON DE MAYENCE , a hero of romance, who gives his name to the third cycle of the Charlemagne romances, those dealing with the feudal revolts. There is no real unity in the geste of Doon de Mayence. The rebellious barons are connected by the the gates at Balawat (see fig.) (895825 B.c.) were sheathed with bronze (now in the British Museum). These doors or gates were hung in two leaves, each about 8 ft. 4 in. wide and 27 ft. high; they were encased with bronze bands or strips, ro in. high, covered with repousse decoration of figures, &c. The wood doors would seem to have been about 3 in. thick, but the hanging stile was over 14 in. in diameter . Other sheathings of various sizes in bronze have been found, which proves this to have been the universal method adopted to protect the wood pivots. In the Hauran in Syria, where timber is scarce, the doors were made in stone, and one measuring 5 ft. 4 in. by 2 ft. q in. is in the British Museum; the band on the meeting stile shows that it was one of the leaves of a double door. At Kuffeir near Bostra in Syria, Burckhardt found stone doors, 9 to io ft. high, being the entrance doors of the town. In Etruria many stone doors are referred to by Dennis.The ancient Greek and Roman doors were either single doors (yovoOipat, unif ores) , double doors (&Obpat, bifores or geminae) or folding doors (7rrUxr, valvae); in the last case the leaves were hinged and folded back one over Balawat Gates, the other. At Pompeii, in the portico of sheath and socket. Eumachia, is a painting of a door with three From H%story of AAs- rt leaves, the two outer ones of which were in Chaldaea
syria, by permission of presumably hung, the inner leaf folding on Chapman & Hall
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The doors of the church of the Nativity at Bethlehem (6th century) are covered with plates of bronze, cut out in patterns: those of Sta Sophia
Of the rrth and 12th centuries there are numerous examples of bronze doors, the earliest being one at Hildesheim, Germany (ror5). Of others in South Italy and Sicily, the following are the finest: in Sant' Andrea
Returning to Italy, the most celebrated doors are those of the Baptistery of Florence, which together with the door frames are all in bronze, the borders of the latter being perhaps the most remarkable: the modelling of the figures, birds and foliage of the south doorway, by Andrea
scheme of design for thepanelling and figure subjects in them as Andrea Pisano, but in the east door the rectangular panels are all filled with bas-reliefs, in which Scripture subjects are illustrated with innumerable figures, these being probably the gates of Paradise of which Michelangelo speaks.The doors of the mosques in Cairo were of two kinds; those which, externally, were cased with sheets of bronze or iron, cut out in decorative patterns, and incised or inlaid, with bosses in relief; and those in wood, which were framed with interlaced designs of the square and diamond, this latter description of work being Coptic in its origin. The doors of the palace at Palermo, which were made by Saracenic workmen for the Normans, are fine examples and in good preservation. A somewhat similar decorative class of door to these latter is found in Verona, where the edges of the stiles and rails are bevelled and notched. In the Renaissance period the Italian doors are quite simple, their architects trusting more to the doorways for effect; but in France and Germany the contrary is the case, the doors being elaborately carved, especially in the Louis XIV. and Louis XV. periods, and sometimes with architectural features such as columns and entablatures with pediment and niches, the doorway being in plain masonry. While in Italy the tendency was to give scale by increasing the number of panels, in France the contrary seems to have been the rule; and one of the great doors at Fontainebleau, which is in two leaves, is entirely carried out as if consisting of one great panel only. The earliest Renaissance doors in France are those of the cathedral of St Sauveur at Aix (1503); in the lower panels there are figures 3 ft. high in Gothic niches, and in the upper panels a double range of niches with figures about 2 ft. high with canopies over them, all carved in cedar
In England in the 17th century the door panels were raised with " bolection " or projecting mouldings, sometimes richly carved, round them; in the 18th century the mouldings worked on the stiles and rails were carved with the egg and tongue ornament. (R. P. S.) End of Article: DOON DE MAYENCE If you wish, you can link directly to this article.
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