DANCOURT, FLORENT CARTON (1661-1725)

This article appears in Volume V07, Page 801 of the Encyclopedia Britannica.

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DANCOURT, FLORENT CARTON (1661-1725) , French dramatist and actor, was born at Fontainebleau on the 1st of November 1661. He belonged to a family of rank, and his parents entrusted his education to Pere de la Rue, a Jesuit, who made

earnest

EARNEST (probably a corruption of the obsolete arles or erles, adapted from Lat. equivalent arrha, due to a confusion with the adjective " earnest," serious, O. Eng. eornust, cognate with Ger. ernst)

efforts to induce him to join the order. But he had no religious vocation and proceeded to study law. He practised at the bar for some time, but his

marriage

MARRIAGE

to the daughter of the comedian Francois Lenoir de la Thorilliere led him to become an actor, and in 1685, in spite of the strong opposition of his family, he
appeared at the Theatre Francais. His gifts as a comedian gave him immediate and marked success, both with the public and with his fellow actors. He was the spokesman of his company on occasions of state, and in this capacity he frequently appeared before Louis XIV., who treated him with

great

GREAT

favour. One of his most famous impersonations was Alceste in the Misanthrope of Moliere. His first play, Le Notaire obligeant, produced in 1685, was well received. La Desolation des joueuses (1687) was still more successful. Le Chevalier a la mode (1687) is generally regarded as his best

work

WORK

, though his claim to

original

ORIGINAL

author-ship in this and some other cases has been disputed. In Le Chevalier a la mode appears the bourgeoise infatuated with the desire to be an aristocrat. The type is developed in Les Bourgeoises a la mode (1692) and Les Bourgeoises de gualite (1700). Dancourt was a prolific author, and produced some sixty plays in all. Some years before his death he terminated his career both as an actor and as an author by retiring to his chateau at Courcelles le Roi, in

Berry

, where he employed himself in making a poetical translation of the Psalms and in writing a sacred tragedy. He died on the 7th of December 1725. The plays of Dancourt are faithful descriptions of the manners of the time, and as such have real historical value. The characters are

drawn

DRAWN

with a realistic

touch

TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

that led to his being styled by Charles Palissot the Teniers of comedy. He is very successful in his delineation of low life, and especially of the peasantry. The dialogue is sparkling, witty and natural. Many of the incidents of his plots were derived from actual occurrences in the " fast " and scandalous life of the period, and several of his characters were

drawn

DRAWN

from well-known personages of the day. Most of the plays incline to the type of farce rather than of pure comedy. Voltaire defined his talent in the words: " Ce que Regnard etait a 1' egard de Moliere dans la haute comedic, le comedien Dancourt 1' etait clans la farce."
His two daughters, Manon and Marie Anne (Mimi), both obtained success on the stage of the Theatre Francais.
The complete works of Dancourt were published in 176o (12 vols. 12mo). An edition of his Theatre choisi, with a

preface

PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

by F.

Sarcey

SARCEY, FRANCISQUE (1827-1899)

, appeared in 1884.

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