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Encyclopedia Britannica



COYPEL

This article appears in Volume V07, Page 355 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: COR-CRE
COYPEL , the name of a French family of painters. Noel Coypel (1628-1707), also called, from the fact that he was much influenced by Poussin, COYPEL LE POUSSIN, was the son of an unsuccessful artist. Having been employed by Charles Errard to paint some of the pictures required for the Louvre, and having afterwards gained considerable fame by other pictures produced at the command of the king, in 1672 he was appointed director of the French
Academy
  at Rome. After four years he returned to France; and not
long
  after he became director of the
Academy
  of
Painting
 . The Martyrdom of St James in Notre Dame is perhaps his finest
work
 .
His son,
ANTOINE
  COYPEL (1661-1772), was still more celebratedthan his father.
Antoine
  studied under his father, with whom he spent four years at Rome. At the age of eighteen he was admitted into the Academy of
Painting
 , of which he became professor and
rector
  in 1707, and director in 1714. In 1716 he was appointed king's painter, and he was ennobled in the following year. Antoine Coypel received a careful literary education, the effects of which appear in his works; but the graceful
imagination
  displayed by his pictures is marred by the fact that he was not superior to the artificial
taste
  of his age. He was a clever etcher, and engraved several of his own works. His Discours prononces clans les conferences de l' Academie royale de Peinture, &c.; appeared in 1741.
Antoine's half-brother, NOEL NICHOLAS COYPEL (1692-1734), was also an exceedingly popular artist; and his son, Charles Antoine (1694-1752), was painter to the king and director of the Academy of Painting. The latter published interesting academical lectures in Le Mercure and wrote several plays which were acted at
court
 , but were never published.


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