COLONNA, VITTORIA (1490-1547)

This article appears in Volume V06, Page 715 of the Encyclopedia Britannica.

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COLONNA, VITTORIA (1490-1547) , marchioness of Pescara, Italian poet, daughter of Fabrizio Colonna, grand constable of the kingdom of Naples, and of Anna da Montefeltro, was born at Marino, a fief of the Colonna family. Betrothed when four years old at the instance of Ferdinand, king of Naples, to Ferrante de Avalos, son of the marquis of Pescara, she received the highest education and gave early proof of a love of letters. Her hand was sought by many suitors, including the dukes of Savoy and Braganza, but at nineteen, by her own ardent desire, she was married to de Avalos on the island of Ischia. There the couple resided until 1511, when her husband offered his sword to the League against the French. He was taken prisoner at the battle of Ravenna (1512) and conveyed to France. During the months of detention and the long years of campaigning which followed, Vittoria and Ferrante corresponded in the most passionate terms both in

prose

PROSE

and verse. They saw each other but seldom, for Ferrante was one of the most active and brilliant captains of Charles V.; but Vittoria's influence was sufficient to keep him from joining the projected league against the emperor after the battle of Pavia (1525), and to make him refuse the crown of Naples offered to him as the price of his treason. In the month of November of the same year he died of his wounds at

Milan

MILAN
MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

. Vittoria, who was hastening to tend him, received the news of his death at Viterbo; she halted and turned off to Rome, and after a brief stay departed for Ischia, where she remained for several years. She refused several suitors, and began to produce those Rime spirituali which form so distinct a feature in her works. In 1529 she returned to Rome, and spent the next few years between that city, Orvieto, Ischia and other places. In 1537 we find her at Ferrara, where she made many friends and helped to establish a Capuchin monastery at the instance of the reforming monk Bernardino Ochino, who after-wards became a

Protestant

PROTESTANT

. In 1539 she was back in Rome, where, besides winning the esteem of Cardinals Reginald Pole and

Contarini

CONTARINI

, she became the object of a passionate friendship on the part of Michelangelo, then in his sixty-fourth year. The great artist addressed some of his finest sonnets to her, made drawings for her, and spent long hours in her society. Her removal to Orvieto and Viterbo in 1541, on the occasion of her brother Ascanio Colonna's revolt against Paul III., produced no

change

CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

in their relations, and they continued to visit and correspond as before. She returned to Rome in 1544, staying as usual at the convent of San Silvestro, and died there on the 25th of February 1547.
Cardinal

Bembo

BEMBO, PIETRO (1470—1547)

, Luigi Alamanni and Baldassare Castiglione were among her literary friends. She was also on intimate terms with many of the Italian Protestants, such as Pietro

Carnesecchi

CARNESECCHI, PIETRO (1508-1567)

, Juan de Valdes and Ochino, but she died before the church crisis in Italy became acute, and, although she was an advocate of religious reform, there is no reason to believe that she herself became a

Protestant

PROTESTANT

. Her life was a beautiful one, and goes far to counteract the impression of the universal corruption of the Italian Renaissance conveyed by such careers as those of the Borgia. Her amatory and elegiac poems, which are the fruits of a sympathetic and dainty imitative

gift

GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

rather than of any strong

original

ORIGINAL

talent, were printed at Parma in 1538; a third edition, containing sixteen of her Rime Spirituali, in which religious themes are treated in Italian, was published at Florence soon afterwards; and a fourth, including a still larger proportion of the pious

element

ELEMENT (Lat. elementum)

, was issued at Venice in 1544.
A great deal has been written about Vittoria Colonna, but perhaps the best account of her life is A. Luzio's Vittoria Colonna (Modena, 1885) ; A. von Reumont's Vita di Vittoria Colonna (Italian corrected edit., Turin, 1883) is also excellent; F. le Fevre's Vittoria Colonna (Paris, 1856) is somewhat inaccurate, but T. Roscoe's Vittoria Colonna (London, 1868) may be recommended to English readers; P. E. Visconti's Le Rime di Vittoria Colonna (Rome, 1846) deals with her poems. (L. V.*)

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