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Encyclopedia Britannica - Main :: CLI-COM |
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COLLIER, JEREMY (1650-1726) , English nonjuring divine, was born at Stow-with-Quy, Cambridgeshire, on the 23rd of September 1650. He was educated at Ipswich free school, over which his father presided, and at Caius College, Cambridge , graduating B.A. in 1693 and M.A. in 1676. He acted for a short time as a private chaplain, but was appointed in 1679 to the small rectory of Ampton, near Bury St Edmunds, and in 1685 he was made lecturer of Gray's Inn.At the Revolution he was committed to Newgate for writing in favour of James II. a tract entitled The Desertion discuss'd in a Letter to a Country Gentleman
scaffold
When the storm had blown over he returned to London, and employed his leisure in works which were less political in their tone. In 1697 appeared the first volume of his Essays on Several Moral Subjects, to which a second was added in 1705, and a third in 1709. The first series contained six essays, the most notable being that " On the office of a Chaplain," which throws much light on the position of a large section of the clergy at that time. Collier deprecated the extent of the authority assumed by the patron and the servility of the poorer clergy.In 1698 Collier produced his famous Short View of the Immorality and Profaneness of the English Stage. . . . He dealt with the immodesty of the contemporary stage, supporting his contentions by a long series of references attesting the comparative decency of Latin and Greek drama; with the profane language indulged in by the players; the abuse of the clergy common in the drama; the encouragement of vice by representing the vicious characters as admirable and successful; and finally he supported his general position by the analysis of particular plays, Dryden's Amphit,yon, Vanbrugh's Relapse and D'Urfey's Don Quixote. The Book abounds in hypercriticism, particularly in the imputation of profanity; and in a useless display of learning, neither intrinsically valuable nor conducive to the argument. He had no artistic appreciation of the subject he discussed, and he mistook cause for effect in asserting that the decline in public morality was due to the flagrant indecency of the stage. Yet, in the words of Macaulay, who gives an admirable account of the discussion in his essay on the comic dramatists of the Restoration, " when all deductions have been made, great merit must be allowed to the work
Letter to a Person of Quality (1703), and a Further Vindication (1708). The fight lasted in all some ten years; but Collier had right on his side, and triumphed; his position was, moreover, strengthened by the fact that he was known as a Troy and high churchman, and that his attack could not, therefore, be assigned to Puritan rancour against the stage.From 1701 to 17 21 Collier was employed on his Great Historical, Geographical, Genealogical and Poetical Dictionary, founded on, and partly translated from, Louis Moreri's Dictionnaire historique, and in the compilation and issue of the two volumes folio of his own Ecclesiastical History of Great Britain from the first planting of Christianity to the end of the reign of Charles II. ' ' He is too much given to horse-play in his raillery, and comes to battle like a dictator from the plough. I will not say, ' the zeal of God's house
(1708-1714). The latter work
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