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Encyclopedia Britannica - Main :: CHR-CLI |
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CLAUDE OF LORRAINE, or CLAUDE GELEE (1600-1682) , French landscape-painter, was born of very poor parents at the village
wood
His master, hoping to make Claude serviceable in some of his greatest works, advanced him in the rules of perspective and the elements of design. Under his tuition the mind of Claude began to expand, and he devoted himself to artistic study with great eagerness. He exerted his utmost industry to explore the true principles of painting by an incessant examination of nature; and for this purpose he made his studies in the open fields, where he very frequently remained from sunrise till sunset, watching the effect of the shifting light upon the landscape. He generally sketched whatever he thought beautiful or striking, marking every tinge of light with a similar colour; from these sketches he perfected his landscapes. Leaving Tassi, he made a tour in Italy, France and a part of Germany, including his native Lorraine, suffering numerous misadventures by the way. Karl Dervent, painter to the duke of Lorraine, kept him as assistant for a year; and he painted at Nancy the architectural subjects on the ceiling of the Carmelite church. He did not, however, relish this employment, and in 1627 returned to Rome. Here, painting two landscapes for Cardinal Bentivoglio, he earned the protection of Pope Urban VIII. and from about 1637 he rapidly rose into celebrity. Claude was acquainted not only with the facts, but also with the laws of nature; and the German painter Joachim von Sandrart
His skies are aerial and full of lustre, and every object harmoniously illumined. His distances and colouring are delicate, and his tints have a sweetness and variety till then unexampled. He frequently gave an uncommon tenderness to his finished trees by glazing. His figures, however, are very indifferent; but he was so conscious of his deficiency in this respect, that he usually engaged other artists to paint them for him, among whom were Courtois and Filippo Lauri. Indeed, he was wont to say that he sold his landscapes and gave away his figures. In order to avoid a repetition of the same subject, and also to detect the very numerous spurious copies of his works, he made tinted outline drawings (in six paper books prepared for this purpose) of allthose pictures which were transmitted to different countries; and on the back of each drawing he wrote the name of the purchaser. These books he named Libri di verita. This valuable work(now belonging to the duke of Devonshire) has been engraved and published, and has always been highly esteemed by students of the art of landscape. Claude, who had suffered much from gout, died in Rome at the age of eighty-two, on the 21st (or perhaps the 23rd) of November 1682, leaving his wealth, which was considerable, between his only surviving relatives, a nephew and an adopted daughter (? niece).Many choice specimens of his genius may be seen in the National Gallery and in the Louvre; the landscapes in the Altieri and Colonna palaces in Rome are also of especial celebrity. A list
series of twenty-eight landscapes, fine impressions of which are greatly prized. Full of amenity, and deeply sensitive to the graces of nature, Claude was long deemed the prince of landscape painters, and he must always be accounted a prime leader in that form of art, and in his day a great enlarger and refiner of its province.Claude was a man of amiable and simple character, very kind to his pupils, a patient and unwearied worker; in his own sphere of study, his mind was stored (as we have seen) with observation and knowledge, but he continued an unlettered man till his death. Famous and highly patronized though he was in all his later years, he seems to have been very little known to his brother artists, with the single exception of Sandrart
chief
See also Victor Cousin
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