CHABRIER, ALEXIS EMMANUEL (1841-1894)

This article appears in Volume V05, Page 786 of the Encyclopedia Britannica.

Encyclopedia Britannica - Main :: CAU-CHA

CHABRIER, ALEXIS EMMANUEL (1841-1894) , French composer, was born at Ambert, Puy de

Dome

DOME (Lat domus,
house
- HOUSE
- HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in
  Gothic
  - GOTHIC
  it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)
; Ital. duomo,
cathedral
- CATHEDRAL
)

, on the 18th of January 1841. At first he only cultivated music as an

amateur

AMATEUR (Lat. amator, lover)

, and it was not until 1879 that he threw up an administration appointment in order to devote himself entirely to the art. He had two years previously written an opera bouffe entitled L'Etoile, which was performed at the Bouffes Parisiens. In 1881 he was appointed chorus-master of the concerts then recently established by Lamoureux. In 1883 he composed the brilliant orchestral rhapsody entitled Espana, the themes of which he had jotted down when travelling in Spain. His opera Gwendoline was brought out with considerable success at Brussels on the loth of April 1886, and was given later at the Paris Grand Opera. The following year 1887, Le Roi malgre lui, an opera of a lighter description, was produced in Paris at the Opera Comique, its run being interrupted by the terrible fire by which this theatre was destroyed. His last opera, Briseis, was left unfinished, and performed in a fragmentary

condition

CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

at the Paris Opera, after the composer's death in Paris on the 13th of September 1894. Chabrier was also the author of a set of piano pieces entitled Pieces pittoresques, Valses romantiques, for two pianos, a

fantasia

FANTASIA (Italian for " fantasy," a causing to be seen, from Greek, 4aivew, to show)

for horn and piano, &c. His

great

GREAT

admiration for

Wagner

asserted itself in Gwendoline, a

work

WORK

which, in spite of inequalities due to want of experience, is animated by a high artistic ideal, is poetically conceived, and shows considerable harmonic originality, besides a thorough mastery over the treatment of the orchestra. The characteristics of Le Roimalgre lui have been well summed up by M. Joncieres when he alludes to " cette verve inepuisable, ces rythmes endiables, cette exuberance de gaiete et de vigueur, a laquelle venait se joindre la note melancolique et emue." Chabrier's premature death prevented him from giving the full measure of his worth.

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