-
Skip These Ads
-
Skip These Ads|
|
 |
Click here and add this page to your favorites!
|
Encyclopedia Britannica - Main :: BLA-BOS |
|
|
BLANK VERSE , the unrhymed measure of iambic decasyllable in five beats which is usually adopted in English epic and dramatic poetry. The epithet is due to the absence of the rhyme which the ear expects at the end of successive lines. The decasyllabic line occurs for the first time in a Provencal poem of the loth century, but in the earliest instances preserved it is already constructed with such regularity as to suggest that it was no new invention. It was certainly being used almost simultaneously in the north of France. Chaucer employed it in his Compleynte to Pitie about 1370. In all the literatures of western Europe it became generally used, but always with rhyme. In the beginning of the 16th century, however, certain Italian poets made the experiment of writing decasyllables without rhyme. The tragedy of Sophonisba (1515) of G. G. Trissino (1478-1550) was the earliest work
Before the close of Trissino's life, however, his invention had been introduced into another literature, where it was destined to enjoy a longer and more glorious existence. Towards the close of the reign of Henry VIII., Henry Howard, earl
movement
'" Who can express the slaughter of that night, Or tell the number of the corpses slain, Or can in tears bewail them worthily? The ancient famous city falleth down, That many years did hold such seignory." Surrey soon found an imitator in Nicholas Grimoald, and in 1562 blank verse was first applied to English dramatic poetry in the Gorboduc of Sackville and Norton. In 1576, in the Steel Glass of Gascoigne, it was first used for satire, and by the year 1585 it had come into almost universal use for theatrical purposes. In Lyly's The Woman in the Moon and Peele's Arraignment of Paris (both of 1584) we find blank verse struggling with rhymed verse and successfully holding its own. The earliest play written entirely in blank verse is supposed to be The Misfortunes of Arthur (1587) of Thomas Hughes. Marlowe now immediately followed, with the magnificent movement
Nash
Greene
" Still climbing after knowledge infinite, And always moving as the restless spheres," " See where Christ's blood streams in the firmament!" Except, however, when he is stirred by a particularly vivid emotion, the blank verse of Marlowe continues to be monotonous and uniform. It still depends too exclusively on a counting of syllables. But Shakespeare, after having returned to rhyme in his earliest dramas, particularly in The Two Gentlemen of Verona, adopted blank verse conclusively about the time that the career of Marlowe was closing, and he carried it to the greatest perfection in variety, suppleness and fulness. He released it from the excessive bondage that it had hitherto endured; as Robert Bridges has said, " Shakespeare, whose early verse may be described as syllabic, gradually came to write a verse dependent on stress." In comparison with that of his predecessors and successors, the blank verse of Shakespeare is essentially regular, and his prosody marks the admirable mean between the stiffness of his dramatic forerunners and the laxity of those who followed him. Most of Shakespeare's lines conform to the normal type of the decasyllable, and the rest are accounted for by familiar and rational rules of variation. The ease and fluidity of his prosody were abused by his successors, particularly by Beaumont and Fletcher, who employed the soft feminine ending to excess ; in Massinger dramatic blank verse came too near to prose
The later dramatists gradually abandoned that rigorous difference which should always be preserved between the cadence of verse and prose
" Arraying with reflected purple and gold Shoots invisible virtue even to the deep Universal reproach, far worse to bear Me, me only, just object of his ire are not mistaken in rhythm, nor to be scanned by forcing them to obey the conventional stress. They are instances, and Paradise Lost is full of such, of Milton's exquisite art in ringing changes upon the metrical type of ten syllables, five stresses and a rising rhythm, so as to make the whole texture of the verse respond to his poetical thought. Writing many years later in Paradise Regained and in Samson Agonistes, Milton retained his system of blank verse in its general characteristics, but he treated it with increased dryness and with a certain harshness of effect. It is certainly in his biblical drama that blank verse has been pushed to its most artificial and technical perfection, and it is there that Milton's theories are to be studied best; yet it must be confessed that learning excludes beauty in some of the very audacious irregularities which he here permits himself in Samson Agonistes. Such lines as " Made arms ridiculous, useless the forgery My griefs not only pain me as a lingering diseaseDrunk with idolatry, drunk with wine Justly, yet despair not of his final pardon are constructed with perfect comprehension of metrical law, yet they differ so much from the normal structure of blank verse that they need to be explained, and to imitate them would be perilous. A persistent weakness in the third foot has ever been the snare of English blank verse, and it is this element
After the Restoration, and after a brief period of experiment with rhymed plays, the dramatists returned to the use of blank verse, and in the hands of Otway, Lee and Dryden, it recovered much of its magnificence. In the 18th century, Thomson and others made use of a very regular and somewhat monotonous form of blank verse for descriptive and didactic poems, of which the Night Thoughts of Young
See J. A. Symonds, Blank Verse (1895) ; Walter Thomas, Le Decasyllabe romain et sa fortune en Europe (1904); Robert Bridges Milton's Prosody (1894) ; Ed. Guest, A History of English Rhythms (1882) ; J. Mothere, Les Theories du vers herosque anglais (1886) ; J. Schipper, Englische Metrik (1881-1888). (E. G.) End of Article: BLANK VERSE If you wish, you can link directly to this article.
<a href="http://jcsm.org/StudyCenter/Encyclopedia/BLA_BOS/BLANK_VERSE.html"> BLANK VERSE </a> |
|
|
(Previous) BLANK (from the Fr. blanc, white) |
(Next) BLANKENBERGHE |
Free & Cheap Cell
Phones |
Cheap Long Distance
Phone Service Carriers |
Talk America Local Phone Service
|
Ztel & MCI - Unlimited Long Distance
Compare
Cell Phone Plans & Companies |
International Calling Cards & Prepaid Phone Cards |
Voice Over IP Broadband Internet Phone
Service | Wireless
Phone Plans & Cheap Cell Phones
|
_____________________________________________________________________________
Online First Aid and CPR Certification . The Online Christ Centered Ministries . The Skeptic's Annotated Bible: Corrected and Explained . The Inerrancy Discussion Board . Free Email Accounts . Home Equity Loans . JasonGastrich.com . The Missions, Apologetics, and Creation Bible Conference . Young Earth Creation Science . San Diego Music Lessons . 10,000 Wise Quotes and Spiritual Sayings . Gastrich.net . Maximizing the Internet: 12 Keys to Success . Louisiana Baptist University . NKJV Web Hosting and Services . Michael Newdow . San Diego Soccer Training . Christian Guitar Lessons . Jesus Christ Saves Ministries . Eternal Security
